Readers need to know who is in each panel, what
they’re doing, and where they’re doing it. The exciting part comes
next, making it visually compelling. I developed the instincts to
find the most dramatic and exhilarating angles and perspectives
so the reader had no choice but to turn the page. Back before you
could easily attend conventions or even take courses on graphic
storytelling, John Buscema and I first put our joint experiences
together in How to Draw Comics the Marvel Way, a classic if ever I
saw one. There, we show how you can take a perfectly good, but
ordinary, moment and find a way to capture the reader’s attention
and add some drama.
books like this don’t happen without a little help. This
time, Dynamite Entertainment recruited Keith Dallas, David Roach,
and Robert Greenberger to help me take you through the ins and
outs of contemporary comic book drawing. Follow these tips and
guidelines, learn to walk before you run, and in due time, you will
feel like a master. The results are something I can only look
forward to so for now, I wish you the very best of luck.